Rabu, 24 Agustus 2011

Art Knowledge News - Keeping You in Touch with the World of Art...

Art Knowledge News - Keeping You in Touch with the World of Art...


SMU's Pollock Gallery Presents Simen Johan's "Until the Kingdom Comes"

Posted: 23 Aug 2011 10:29 PM PDT


Dallas, TX.- The Pollock Gallery of the Division of Art at SMU's Meadows School of the Arts is proud to present "Simen Johan: Until the Kingdom Comes," an exhibition by renowned photographer Simen Johan, from August 29th through October 8th. Born in Norway in 1973 and raised in Sweden, Johan has lived and worked in New York City since 1992. He has received international recognition for his enigmatic large-scale photographs that investigate the often-uneasy relationship between the natural world of animals and the confusion and chaos created by human activity through his hauntingly beautiful scenes of animals seemingly adrift in dreamlike landscapes.


The exhibit will include works shown in the recent Simen Johan exhibition at the Frist Center for the Visual Arts in Nashville, Tenn., and several works from private collections. In an essay that accompanied the catalogue for the Nashville show, Mark Scala, chief curator for the Frist Center, wrote, "Johan's images are completely without people….Yet the works clearly relate to human processes, beliefs, and illusions. The presentations are staged, with animals posing expressively for the camera like actors. Questions of authenticity versus artificiality arise when one recognizes that these are not all animals living in their natural habitats. Some were photographed on location in zoos or wildlife parks, farms, and museums, others show roadkill or taxidermied specimens, posed and Photoshopped into landscape, still others were taken in the wild. Which are alive, and which are uncanny imitations of life? Such ambiguity is symptomatic of the universal dualisms that give life its sense of being contingent, unfixed."

In his photographs, Simen Johan explores darkly the human proclivity towards fantasy and our attempts, knowing or otherwise, to craft alternate realities for ourselves. Merging traditional photographic techniques with digital methods, Johan creates each of his images from as many as one hundred negatives, having first constructed or discovered each element and photographed it on film. Across his body of work, the viewer is urged to ponder the relationship between the real and the artificial or imagined.

artwork: Simen Johan - "Untitled #140", 2007 - Digital c-print - 63" x 63" Courtesy of the artist and Yossi Milo Gallery New York.

In his most recent images, from the series "Until the Kingdom Comes", Johan depicts animals in scenarios where their actions or demeanor mirror human conventions. The images allude to our inclination to anthropomorphize and domesticate what we see and find around us, and they speak to realms of emotion, our fears and desires, rather than reason. In his earlier work Johan explored the unique relationship that children have with the unknown, constructing complex photographic worlds that seem to grow wild from young imaginations. In some images the children are prominently featured, wrapped up in acts of play or ritual as the makers of their own worlds, while in others they've vanished completely, leaving only the enigmatic traces of their mischief.

Simen Johan's work has been widely exhibited internationally, and is in the permanent collections of the Brooklyn Museum of Art, Cleveland Art Museum, the Los Angeles County Museum of Art, and other major institutions. Johan's first monograph, Room to Play, was published by Twin Palms in 2003. Born in Norway and raised in Sweden, Johan earned his B.F.A at the School of Visual Arts, in New York, where he currently resides.

artwork: Simen Johan - "Untitled #133", 2005 - Digital c-print - 63" x 63" Courtesy of the artist and Yossi Milo Gallery New York.

The Meadows School of the Arts, formally established in 1969 at Southern Methodist University in Dallas, has achieved prominence as one of the foremost arts education institutions in the United States. The Meadows School of the Arts offers instruction in advertising, art, art history, arts entrepreneurship and arts management, communication studies, dance, film and media arts, journalism, music and theatre. The goal of the Meadows School of the Arts, as a comprehensive educational institution, is to prepare students to meet the demands of professional careers. It is also committed to providing an ongoing opportunity for all SMU students to grow in the understanding and appreciation of the arts. The Meadows School of the Arts serves the public as a significant cultural center by presenting more than 400 events annually for the Dallas community and surrounding region. The cultural and intellectual partnership SMU shares with Dallas continues to flourish, and Dallas citizens form a devoted audience for the more than 400 music, dance and theatre performances, opera productions, and art exhibitions that the Meadows School of the Arts presents each year.  The Meadows Museum houses one of the largest and most comprehensive collections of Spanish art outside of Spain. The museum presents major works dating from the Middle Ages to the present, including masterpieces by some of the world's greatest painters: El Greco, Velázquez, Ribera, Murillo, Goya, Joan Miró and Pablo Picasso. Highlights of the collection include Renaissance altarpieces, monumental Baroque canvases, exquisite Rococo oil sketches, polychrome wood sculptures, Impressionist landscapes, modernist abstractions and a comprehensive collection of the graphic works of Goya. The museum, located at 5900 Bishop Boulevard at the entrance to the SMU campus, also includes a gift shop, education areas and public event spaces, and offers membership and volunteer opportunities along with a range of public programs throughout the year. The museum also includes the Elizabeth Meadows Sculpture Collection featuring major works by such modern masters as Rodin, Maillol, Lipchitz, Henry Moore, David Smith and Claes Oldenburg. Sculptures are displayed both indoors and outside on the museum plaza. Visit the museum's website at ... http://www.smu.edu/Meadows

The Nelson-Atkins Museum Features "Landscapes East/Landscapes West"

Posted: 23 Aug 2011 10:28 PM PDT

artwork: William Trost Richards - "St. John's Head, Hoy, Orkneys", circa 1892 - Oil on fiberboard - Collection of the Nelson-Atkins Museum of Art. On view in "Landscapes East/Landscapes West" from August 27th until February 26th 2012.

Kansas City, MO.- The Nelson-Atkins Museum is proud to present "Landscapes East/Landscapes West: Representing Nature from Mount Fuji to Canyon de Chelly" on view at the museum from August 27th through February 26th 2012. Artists have long been inspired to capture the beauty of nature in two-dimensional images, and Landscapes East/Landscapes West: Representing Nature from Mount Fuji to Canyon de Chelly explores the creative ways artists have responded to this universal theme. A collaboration among six curatorial departments at The Nelson-Atkins Museum of Art, the exhibition juxtaposes landscape paintings, drawings, prints and photographs by Chinese, Japanese, European and American artists from the 15th century to the present.


The Museum of Fine Arts, Boston Shows "Two Masters of Fantasy: Bresdin & Redon"

Posted: 23 Aug 2011 10:07 PM PDT

artwork: Rodolphe Bresdin - "The Bather and Time", 1857 - Pen lithograph - 161 x 111 cm. Courtesy the Museum of Fine Arts, Boston. On view in "Two Masters of Fantasy: Bresdin and Redon" until January 16th 2012.

Boston, MA.- The Museum of Fine Arts, Boston (MFA) is proud to present "Two Masters of Fantasy: Bresdin and Redon", on view at the museum until January 16th 2012. The exhibition presents 43 works — 22 by teacher Rodolphe Bresdin (1822–1885) and 21 by his student Odilon Redon (1840–1916), assembled primarily from the Museum's holdings, with select loans from private collectors.  Included are black and white lithographs, etchings, and charcoal drawings, as well as a watercolor and pastel.  A highlight of the exhibition in the Clementine Brown Gallery is the MFA's recent acquisition, the dramatic drawing "Tears (Les Pleurs)" by Odilon Redon. Two Masters of Fantasy was organized Rodolphe Bresdin, the eccentric French artist, was a self-taught printmaker and draughtsman who was inspired by early 19th century Romantic book illustration.


BBC and Victoria & Albert Museum Announce Major New Year-long Partnership

Posted: 23 Aug 2011 09:31 PM PDT

artwork: The V&A Museum Dress, 2004 - Designed by Kylie Minogue, Frank Strachan and Lisa King. - Realised by Edward Meadham UK Silk screen-printed dress with fitted bodice and random fabric swatches & trim. Pink and black tulle underskirt. - Photograph © Darenote Ltd

LONDON.- The BBC and the Victoria & Albert Museum (V&A) announced 'Handmade in Britain', a year-long season of programming that will be the most wide-ranging and ambitious exploration of decorative arts ever to be undertaken on British Television. Furthering the BBC's commitment to building partnerships with the arts sector that go beyond broadcast, from sharing expertise to widening public engagement in UK arts, from autumn 2011 to autumn 2012, Handmade in Britain will present three, three-part series and a selection of individual hour-long films, focusing on a wide variety of art and design disciplines: ceramics, wood, metalwork, textiles, stained glass and paper.


Israel Museum Welcomes One Million Visitors Since Inauguration of Renewed Campus

Posted: 23 Aug 2011 09:13 PM PDT

artwork: The Israel Museum is the largest cultural institution in the State of Israel and is ranked among the world's leading art and archaeology museums. Founded in 1965, the Museum houses encyclopedic collections, including works dating from prehistory to the present day, in its Archaeology, Fine Arts, and Jewish Art, it features the most extensive holdings. The Museum is really a campus of integrated pavilions & gardens covering approximately 20 acres.

JERUSALEM.- In an unprecedented achievement for an Israeli cultural institution, the Israel Museum is proud to announce that it has welcomed one million plus people to its renewed campus since its inauguration one year ago. During this time, visitors have enjoyed the Museum's renewed galleries, new architecture and rich program of exhibitions, events and activities. Programming highlights included the inaugural exhibition Artists' Choices: Zvi Goldstein, Susan Hiller, Yinka Shonibare, a three-part presentation that juxtaposed works from all three of the Museum's collection wings; the major traveling exhibition William Kentridge: Five Themes, which drew over 200,000 visitors to the Museum during its five-month showing; "Contact Point," a night of one-time encounters among artists, writers, and performers with artworks through the Museum's galleries and campus; and the unveiling of two monumentally-scaled site specific installations: Olafur Eliasson's Whenever the rainbow appears (2010), and Anish Kapoor's Turning The World Upside Down, Jerusalem (2010), created for the Museum's renewal.

The Corey Helford Gallery To Show New Solo Shows ~ Korin Faught & Joey Remmers

Posted: 23 Aug 2011 06:36 PM PDT


Culver City, CA.- The Corey Helford Gallery is pleased to announce the launch of its fall exhibition schedule with the opening of new solo shows from Korin Faught and Joey Remmers on Saturday, September 3rd. Both exhibitions will remain on view through September 21st. Since 2006, Los Angeles artist Korin Faught has exhibited with Corey Helford Gallery, and this September she will unveil her new solo exhibition entitled "Voices of the Lake." Infusing her signature portraits of multiples with a modern style and timeless beauty, Faught's work captures a composed elegance within each pool of reflection. Her feminine narratives feature a refined palette that spans from pale whites to dark neutrals, revealing layers of subtle textures and hidden details in between. Inspired by her own underwater photography, Korin brings her paintings above water, aligning herself with Victorian themes and painters from The Romantic era who sought to capture such classical values as chivalry and female fragility. Seen submerged or simply standing in shallow water, Faught's subjects possess that elusive quality that leave one wondering who are the "Voices of the Lake?"


Museum of Karsten Klingbeil Treasures to be Offered at Two Auctions

Posted: 23 Aug 2011 06:36 PM PDT

artwork: Exceptional north Italian etched, blued and gilt full armours for the field, attributed to the workshop of Pompeo della Chiesa, ca. 1580-1600

MUNICH.- The private museum of the famous Berlin sculptor, philanthropist and former construction mogul Karsten Klingbeil is going to be offered in two parts. The first auction will take place in December 2011 at Pierre Bergé & Associés in Brussels, the second half of the collection is going to be offered for bidding in June 2012 at Hermann Historica oHG in Munich. Those dates provide the unique opportunity to buy a total number of 600 significant objects that have been collected over fifty years with a lot of passion, commitment and expertise to compile this sensational collection. 40 complete suits of armour from the 15 th to the 17 th century, 120 helmets as well as pole arms, swords, daggers and shields from twelve centuries form the core of the collection. Since the legendary Hever Castle auction at Sotheby's, London, in 1983 this is going to be the most important private collection of antique arms and armours brought to market.


Diana Thater's Peonies, a nine-monitor videowall, at the Wexner Center

Posted: 23 Aug 2011 06:36 PM PDT

artwork: Diana Thater - Peonies, 2011. 9 video monitors, 1 DVD player. Dimensions variable. Courtesy of the artist. -  Photo: Peter Mallet Installation view at Hauser & Wirth, London, 2011.

COLUMBUS, OH.- Diana Thater's Peonies, a nine-monitor videowall, is now on view through December 30 in the Wexner Center's lower lobby. Quietly panning over pink and yellow peony blooms, the video initially appears to be a straightforward account of several flowers scattered across a watery surface. But as in most of Thater's video projects, the technical aspects of Peonies and the artist's investigations of duration and figure/ground relationships are as compelling as the work's visual and aesthetic elements. Running nearly six minutes, Peonies was shot on two full rolls of 16mm film, but it is screened on a Blu-ray disc, inviting viewers to consider how representations of color differ in analogue and digital technology. Filmed up close, the blooms transform into abstracted washes of almost psychedelic color, morphing from one image to the next. The blooms become less tangible as physical objects and function instead as a field on which explorations of color, duration, and figure/ground play out.

The Museum of the Moving Image Opens "Jim Henson's Fantastic World"

Posted: 23 Aug 2011 06:35 PM PDT

artwork: "Dark Crystal Mystic" - Still photo by John Lawrence Jones, © 2009 The Jim Henson Company. On view at the Museum of the Moving Image, New York in "Jim Henson's Fantastic World" until January 16th 2012.

New York City.- The Museum of the Moving Image is proud to present "Jim Henson's Fantastic World", on view through January 16th 2012. "Jim Henson's Fantastic World" celebrates the internationally known creative genius Jim Henson, whose work encompassed film, television, and puppetry. The exhibition features over 120 artifacts, including drawings, storyboards, and props, all of which illustrate Henson's boundless creativity and innumerable accomplishments. Fifteen iconic puppets, including Miss Piggy, Kermit the Frog, Rowlf, and Bert and Ernie, are on view, along with photographs of Henson and his collaborators at work and excerpts from his early projects and experimental films. The exhibition spans Henson's entire career, with drawings, cartoons, commercials, and posters produced during his college years in the late 1950s and objects related to the inspired imaginary world of his popular 1982 fantasy film, The Dark Crystal.


The exhibition features artifacts from Henson's best-known projects, The Muppet Show, The Muppet Movie and its sequels, Fraggle Rock, and Sesame Street, in addition to materials from Sam and Friends, an early show he created in the 1950s, and his pioneering television commercial work in the 1960s. "Jim Henson's Fantastic World" was organized by The Jim Henson Legacy and the Smithsonian Institution Traveling Exhibition Service in cooperation with the Henson family, The Jim Henson Company, The Muppets Studio, LLC, and Sesame Workshop.

artwork: "Jim Henson & Kermit the Frog" - Photograph: Courtesy of The Jim Henson Company. On view at the Museum of the Moving Image, New York until January 16th 2012.

The Museum of the Moving Image advances the public understanding and appreciation of the art, history, technique, and technology of film, television, and digital media. It does so by collecting, preserving, and providing access to moving-image related artifacts, screening significant films and other moving-image works, presenting exhibitions of artifacts, artworks, and interactive experiences, and offering educational and interpretive programs to students, teachers, and the general public. Each year the Museum screens more than 400 films in a stimulating mix of the classic and the contemporary. With live music for silent films, restored prints from the world's leading archives, and outstanding new films from the international festival circuit, Museum programs are recognized for their quality as well as their scope.

The Pinewood Dialogues, an ongoing series of conversations with creative professionals in film, television, and digital media made possible by the Pinewood (now Pannonia) Foundation, has brought to the Museum's stage such leading figures as Robert Altman, Martin Scorsese, Sidney Lumet, David Cronenberg, Charles Burnett, Tim Burton, Todd Haynes, Daniel Day-Lewis, Paul Thomas Anderson, Forest Whitaker, Glenn Close, Jane Campion, Jim Jarmusch, Terry Gilliam, and David Mamet. Many of these conversations are available online. Engaging and immersive, Behind the Screen is the only exhibition in America that comprehensively explores how films and television shows are created, marketed, and exhibited. Behind the Screen has been thoroughly refurbished as part of the Museum's renovation and expansion, with all new monitors, computers, interactive software, and lighting, as well as new exhibits of artifacts, artworks, and audiovisual material.

artwork: "Cantus and the rest of the gang down at Fraggle Rock" - Photo by John E. Barrett. © 2009 The Jim Henson Company. On view at the Museum of the Moving Image, NY

Changing exhibitions at the Museum have ranged from "Hot Circuits: A Video Arcade" (1989), the first exhibition of video games ever presented in a museum, to "Interactions/Arts and Technology" (2004), presented in conjunction with Ars Electronica (Linz, Austria). As part of its expansion and renovation, the Museum has a new 4,100-square-foot gallery dedicated specifically to temporary exhibitions, as well as a new amphitheater for changing video presentations, and a 50-foot-long wall in the lobby on which panoramic video works can be projected. After opening with Real Virtuality—an exhibition featuring six experiments in art and technology by artists including Bill Viola, Pablo Valbuena, and Marco Brambilla. The Museum's curriculum-based education programs are a major resource for of middle- and high-school students and their teachers. Most are from the New York City public schools and surrounding area, although the Museum regularly provides programs for international students as well. Through guided tours of its exhibitions, educational screening programs and hands-on workshops, the Museum will serve approximately 60,000 students each year in the new Ann and Andrew Tisch Education Center. The Museum also offers professional development seminars and workshops for teachers, and after-school programs that develop academic and technical skills. The Museum maintains one of the world's largest and most comprehensive collections of the material culture of the moving image. It provides public access to the collection through the core exhibition, Behind the Screen, and through its online Collection Catalog. Scholars may also conduct research in the collection by appointment. Online projects, such as Moving Image Source, The Living Room Candidate, and Sloan Science and Film, made available on the Museum's website, reach a global audience. Visit the museum's website at ... http://www.movingimage.us







Art & Love in Renaissance Italy on View at the Kimbell Art Museum

Posted: 23 Aug 2011 06:19 PM PDT

artwork: Paris Bordon - Venus, Mars, and Cupid Crowned by Victory, c. 1550 - Oil on canvas, 44 x 68 3/4 in. Kunsthistorisches Museum, Gemäldegalerie, Vienna

FORT WORTH, TX - The Kimbell Art Museum presents Art and Love in Renaissance Italy, a fascinating exploration of art objects made to celebrate milestones in the lives of men and women in Renaissance Italy—betrothal, marriage, and the birth of a child. It will be on view from March 15 to June 14, 2009. Jointly organized by The Metropolitan Museum of Art, New York, and the Kimbell (its exclusive venues), this exhibition is curated by Andrea Bayer, a curator in the department of European paintings at The Metropolitan Museum of Art, and Nancy E. Edwards, curator of European art and head of academic services at the Kimbell Art Museum.

artwork: Giulio Pippi,  called Giulio Romano Woman with a Mirror, oil on canvas, transferred  from wood - Pushkin State Museum of Fine Arts, MoscowArt and Love in Renaissance Italy includes approximately 150 paintings and art objects dating from 1400 to 1600 that were created to celebrate love and marriage. Among these works are marriage portraits and paintings that extol sensual love and fertility, exquisite examples of jewelry and maiolica (tin-glazed ceramic) given as gifts to couples, and some of the rarest and most significant pieces of Renaissance glassware, cassone panels, birth trays, and drawings and prints of amorous subjects.

The exhibition will be divided into three thematic sections. The first, Celebrating Betrothal, Marriage, and Childbirth, will feature splendid wedding gifts. For wealthy families in cities such as Florence, Venice, and Milan, the best marriage depended on a sizable dowry provided by the bride's family—not only money and property, but a variety of goods for the bride's new home. The lavish wedding celebrations of the period were marked by extravagant gifts, such as maiolica decorated with narratives or portraits; rare Venetian glassware; rings (including one of the earliest known diamond wedding rings) and other jewelry; delicate gilded boxes; and vividly painted cassoni, or bridal chests, which would be filled with costly linens and clothing. Likewise, the safe birth of a child was celebrated and commemorated with the production of finely painted deschi da parto (wooden childbirth trays) and maiolica childbirth bowls known as scodelle da parto. Trays and bowls were often painted with encouraging images of a mother resting in her confinement room, with charming representations of Renaissance interiors. Marked with heraldic devices, these objects were prized possessions handed down from generation to generation.

The section Profane Love will focus on erotic, at times salacious, imagery in drawings, prints, and other objects created by some of the most celebrated artists of the time, including Parmigianino and Giulio Romano. Many of these works exhibit a witty, burlesque sensibility that satirizes more intellectually elevated modes of art and literature. Classical mythology, especially the loves of the gods recounted by Ovid and other ancient poets, provided a convenient pretext for the portrayal of erotic imagery. The world of the courtesan and the luxury items associated with it will also be explored in the exhibition. Famed for their beauty, cultural accomplishments, and wit, courtesans were especially prevalent in Rome and Venice.

artwork: Antonio del  Pollaiuolo Apollo and Daphne, ca.1460's, Oil on panel (possibly  cypress), 11 5/8 x 7 7/8 in.- The National Gallery, London - 1876 Wynn  Ellis BequestFrom Cassone to Poesia: Paintings of Love and Marriage will shift the focus to nuptial portraits and paintings on themes of love that decorated bedchambers and private quarters. Highly important and intriguing works by such painters as Fra Filippo Lippi, Domenico Ghirlandaio, and Lorenzo Lotto will be on display, including double portraits commemorating marriages, as well as rare portraits of babies, fathers with their children, and widows.

Decorating the camera (bedroom) of a new husband and wife was of enormous importance, and the families would spend huge sums on cassoni and panel paintings called spalliere, which were installed about shoulder height as part of the wainscoting. Virtuous women from ancient history or the Hebrew Bible, whose stories were depicted on cassoni panels, were also the subjects of paintings that decorated the walls of nuptial chambers, serving as models of morality for the newlyweds.

The poetic genius of the Renaissance will be represented by some of the most beguiling and sensual works of Titian, Palma il Vecchio, Tintoretto, and their contemporaries. Portraits of belle donne (beautiful women) reflect poetry that lauded women's beauty. The symbolism of these ravishing paintings is not straightforward, and the identity of the women portrayed continues to be debated. Are they courtesans, brides, or idealized beauties? The extraordinarily sensuous representations of Venus by Titian and other Venetians launch us into a new era of paintings that treat subjects related to love and marriage. Distant cousins of the reclining nudes found in the inner lids of cassoni in the fifteenth century, they are imbued with far richer poetic sensibilities—visual equivalents of the poems that the ancient Romans recited at weddings. Like contemporary poems and prose by writers beginning with Petrarch, these mythological and allegorical paintings speak the language of love.

The great Renaissance paintings about love and marriage owe their rich complexity, and often ambiguity, to the varied ways people thought about love and marriage at the time. The exhibition offers an illuminating and engaging look at some of the most beautiful works of the period from this historical and social point of view.

Visit the Kimbell Art Museum at : https://www.kimbellart.org/

Mark Rothko's Black Paintings Unveiled at The National Gallery Of Art

Posted: 23 Aug 2011 06:18 PM PDT

artwork: Mark Rothko - Untitled, 1942 - Oil on canvas. Gift of The Mark Rothko Foundation, Inc. Copyright. ©1997, Christopher Rothko and Kate Rothko Prizel. Courtesy of the National Gallery, Washington, DC

WASHINGTON, DC.- A new exhibition featuring seven of the enigmatic black paintings made in 1964 by American artist Mark Rothko (1903–1970) is the second in a series of shows installed in the National Gallery of Art's Tower Gallery, East Building, that center on developments in art since mid-century. On view February 21, 2010 through January 2, 2011, "In the Tower: Mark Rothko" includes works drawn largely from the Gallery's own vast collection of Rothko's oeuvre and features a short film created for the exhibition. These austere paintings—each presenting a single black rectangle on a black or nearly black field—are among the most mysterious of Rothko's career.

The Dulwich Picture Gallery hosts a Saul Steinberg Retrospective

Posted: 23 Aug 2011 06:17 PM PDT

artwork: Saul Steinberg - I Do, I Have, I Am, 1971 - Ink, marker pens, ballpoint pen, pencil, crayon, gouache, watercolor, and collage on paper. 22 3/4 x 14 in. - © The Saul Steinberg Foundation/Artists Rights Society. (ARS)

LONDON.- From The New Yorker to cartography, from greeting cards to gallery art, the comic genius of modernism unmasks the 20th century. Saul Steinberg (1914 - 1999), an American artist whose magic lit up the pages and covers of The New Yorker for six decades, is the subject of Dulwich Picture Gallery's latest winter exhibition. It's a retrospective which features more than a hundred drawings, collages and sculptural assemblages by the artist whom many regard as not only a comic genius but among the greatest draftsmen of the modern era. This exhibition is the first full scale review of his career. On exhibition through 15 February, 2009.

Tony Berlant solos at Barbara Mathes Gallery

Posted: 23 Aug 2011 06:16 PM PDT

artwork: Tony Berlant (b. 1941) -Center Cut - 2005, Metal collage on wood - 22 x 19 inches

New York, NY - Barbara Mathes Gallery is pleased to announce an exhibition of approximately fifteen recent works by California artist, Tony Berlant.  This will be Mr. Berlant's first solo show with the gallery. Berlant's pictorial vocabulary draws from a wealth of fine art traditions, including Abstract Expressionism, Pop, and the Dada of Kurt Schwitters.  On exhibition through 29 March, 2008.

The Snite Museum of Art show The Art of Disegno ~ Italian Prints and Drawings

Posted: 23 Aug 2011 06:15 PM PDT

 artwork: Marco Ricci (Venice, 1676–1730) - Rocky Landscape with Figures Beside a Stream, n.d. - Gouache on heavy paper 7 3/8 x 8 1/16 inches - Georgia Museum of Art; extended loan from the collection of Giuliano Ceseri

NOTRE DAME, INDIANA - The Art of Disegno: Italian Prints and Drawings from the Georgia Museum of Art will be on view at the Snite Museum of Art at the University of Notre Dame from January 11 through March 15, 2009. Organized by the Georgia Museum of Art, the exhibition features 53 works on paper produced in the 16th, 17th and 18th centuries.The exhibition includes prints by some of the finest Italian printmakers, such as Parmigianino and Marcantonio Raimondi, and later examples by major figures such as Pietro Testa and Giovanni Benedetto Castiglione.

Expressionist Works from MMoCA's Permanent Collection on View

Posted: 23 Aug 2011 06:14 PM PDT

artwork: Deborah Butterfield - Dapple Gray, 1980 - Wire and steel, 25 x 40 x 12 in. - Collection of  MMoCA Purchase, through National Endowment for the Arts grant with matching funds from Mr. & Mrs. Julian Harris.

MADISON, WI.- The Madison Museum of Contemporary Art (MMoCA) presents 'An Art of Inner Necessity' : Expressionist Works from MMoCA's Permanent Collection in the museum's Henry Street Gallery from July 19, 2008, through July 19, 2009. An Art of Inner Necessity examines the expressionist tradition in modern and contemporary art through paintings and works on paper from the permanent collection of the Madison Museum of Contemporary Art.

Tate Modern Presents Marcel Duchamp, Man Ray & Francis Picabia Exhibition

Posted: 23 Aug 2011 06:13 PM PDT

artwork: Francis Picabia - Femmes au Bull-Dog 1940-1942 Oil on cardboard - 105 x 76 cm., Centre Pompidou / London 2008 - © ADAGP, Paris and DACS, London 2008 

LONDON - Tate Modern presents Duchamp, Man Ray, Picabia, on view through May 26, 2008. This exhibition aims to chart the artistic and personal relationships of three of the great figures in early twentieth-century art, Marcel Duchamp, Man Ray and Francis Picabia.  Together they created the Dada movement in New York during the First World War, and, unusually within the history of modern art, they remained friends, with periods of varying intensity, throughout their lives.
 

Sotheby's to Offer The Robert Lebel Collection of Old Master & 19th Century Drawings

Posted: 23 Aug 2011 06:12 PM PDT

artwork: Giorgio Vasari (1511-1574) - ETUDE POUR LE DÉCOR DE LA SALA PAOLINA AU VATICAN, pen et encre brune, lavis brun, 29,8 x 21 cm. -  80,000 / 120,000 €. - © Sotheby's/ Art Digital Studio 

PARIS - To coincide with the Salon du Dessin in Spring 2009, Sotheby's Paris will stage its first-ever sale devoted exclusively to drawings, and is delighted to mark this debut by offering the prestigious Robert Lebel Collection of 170 drawings spanning the 16th–19th centuries, with an overall estimate of €1.1 to1.6 million. A selection of drawings from the Robert Lebel Collection will be on view at Sotheby's New York: January 24–29. Viewing dates at Sotheby's Paris: March 21–25.

Tate Modern Presents Major Retrospective of Arshile Gorky

Posted: 23 Aug 2011 06:11 PM PDT

artwork: Arshile Gorky (1904-1948) - Untitled, 1943 - Pencil and colored crayon, 17 x 24 inches - Private collection ©1999 Estate of Arshile Gorky/Artists Rights Society (ARS), NY - (Note : Not shown at the Tate exhibition)

LONDON.- Tate Modern presents the first major retrospective of Arshile Gorky (c.1904-1948) to be seen in Europe for twenty years. Celebrating one of the most powerful and poetic American artists of his generation, "Arshile Gorky: A Retrospective" examines the extraordinary contribution of this seminal figure in Abstract Expressionism. The exhibition spans Gorky's 25 year career and offers the opportunity to see this complex and moving body of work as a whole. It includes more than 120 paintings and works on paper, many of which have not been shown in the UK previously.  On view at the Tate Modern through 3 May, 2010.

Brian Gross Fine Art Opens Ed Moses' Airborne in San Francisco

Posted: 23 Aug 2011 06:10 PM PDT

artwork: Ed Moses - "Alping", 2007 - 60 × 72 inches. - Photo: Courtesy Brian Gross Fine Art, San Francisco

SAN FRANCISCO, CA.- Brian Gross Fine Art presents Airborne, an exhibition of works by renowned California painter Ed Moses. On view will be selected works from a 2007 series that explores atmosphere and abstraction. Lush applications of paint in light, airy hues lend the paintings an ephemeral quality suggestive of mountain air and meteorological phenomena. Seen as a group, they describe a dynamic, vaporous, and sensually charged environment. On view 1 July through 27 August.

Art Knowledge News Presents "This Week In Review"

Posted: 23 Aug 2011 06:09 PM PDT

This is a new feature for the subscribers and visitors to Art Knowledge News (AKN), that will enable you to see "thumbnail descriptions" of the last ninety (90) articles and art images that we published. This will allow you to visit any article that you may have missed ; or re-visit any article or image of particular interest. Every day the article "thumbnail images" will change. For you to see the entire last ninety images just click : here .

When opened that also will allow you to change the language from English to anyone of 54 other languages, by clicking your language choice on the upper left corner of our Home Page.  You can share any article we publish with the eleven (11) social websites we offer like Twitter, Flicker, Linkedin, Facebook, etc. by one click on the image shown at the end of each opened article.  Last, but not least, you can email or print any entire article by using an icon visible to the right side of an article's headline.

This Week in Review in Art News

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